Much has been written about the writer’s cabin. Among the most notable recent books on the topic are “Heidegger’s Hut” by Adam Sharr and “A Place of My Own: The Architecture of Daydreams,” Michael Pollan’s account of imagining and then actually constructing his own writing space. A standard Internet search can quickly yield images of the writing rooms (cabins, huts, sheds) of legendary scriveners: Dylan Thomas, Virginia Woolf, Ludwig Wittgenstein, Roald Dahl, Carl Jung, Henry Thoreau and — a writer of a markedly different sort —Ted Kaczynski, to name a few. And Jill Krementz’s 1999 collection of photographs “The Writer’s Desk” gives us tantalizing glimpses of writers sitting at their desks. But why the interest? Have these places somehow become secular sites of the sacred?
Who has not fantasized about the books they would write if only the right conditions could be found! I have carried around just such a dream, sparked by a weekend alone in an austere mountain cabin in the Austrian Alps when I was a boy. Rumination was unstoppable, and poetry just poured out. Continue reading